It’s 1634 and Samuel Pipps, the world’s greatest detective, is being transported to Amsterdam to be executed for a crime he may, or may not, have committed. Travelling with him is his loyal bodyguard, Arent Hayes, who is determined to prove his friend innocent. But no sooner are they out to sea than devilry begins to blight the voyage. A twice-dead leper stalks the decks. Strange symbols appear on the sails. Livestock is slaughtered. And then three passengers are marked for death, including Samuel. Could a demon be responsible for their misfortunes? With Pipps imprisoned, only Arent can solve a mystery that connects every passenger onboard. A mystery that stretches back into their past and now threatens to sink the ship, killing everybody on board.
In typical fashion for Stuart Turton, we’re met with an eclectic mix of genre’s; historical fiction, science fiction, fantasy, crime/thriller, mystery and a dash of horror. In all honesty, there should be an entirely new genre for this book because I can put this in so many but they just don’t do it justice!”
The Devil and the Dark Water is Turton’s second novel, and after the roaring success that The 7 Deaths of Evelyn Hardcastle gave, there was a fair amount of expectation, anticipation and trepidation.
Set in the 1634, Turton showed he did a lot of research into his set but wasn’t afraid to take creative liberty, which is something many authors are tentative to do, putting their minds in a tunnel for historical accuracy. Turtons description of the ship, the Saardam, setting sail from the Dutch island Batavia to Amsterdam, was good. I had no issue imagining such a monstrous beauty of a ship with the stark contrasts between the noble’s cabins, the other passengers’ quarters, and the ships crews.
During the novel we meet quite a mixed bag of characters, our main focus’ are Arent Hayes, a soldier with a mysterious past and his long-time friend, Samual Pipps, the famous detective (thank’s to the reports published by Arent) and Sara Wessel, a woman of high status, married to an abusive husband, knowledge in healing and mother to her highly intelligent daughter, Lia. As Turton has previously done, each character, big or small, was so well fleshed-out and had their own backstory, giving you the feeling that you knew them all.
The main plot was yet another example of Turton’s incredible writing by giving you the answers to what the novel is leading to but misdirecting the readers attention to follow a different trail-of-thought. You feel like you’re following the characters as they are trying to make sense of the happenings until you both finally put it all together.
I felt like the conclusion wasn’t as original or shocking as his previous novel (7-deaths) but was just as mysterious and mind-boggling in its craftmanship. At the book’s conclusion, we’re left to sit and wonder what happened after.
As Stuart Turton explained in his note at the end of the book, each reader reads a story differently. If you have, or are thinking of picking this book up, you’ll be surprised at different elements than I was. I don’t feel like this book had any particular audience in mind, allowing for a vast readership, which it definitely achieved.
Have you read this title? What were your thoughts and do you agree with the genre’s I mentioned? Let me know in the comments below!
"Courage isn't an absence of fear. It's the light we find when fear is all there is."
Published – 1st October 2020
Publishing Company – Raven Books
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